In my paintings, I explore the ways we connect with others and with ourselves, in virtual, physical, and spiritual reality. I paint in high resolution, evoking the glow, contrast, and saturation of screens.
Throughout my series, tension shifts from the outside inward, oscillating between the superficial and the profound, where the need to return inward emerges as a response to external noise.
In the series “Millennials” and “Filtered Reality”, I investigated how we relate to one another through technology. The real appears as a form of resistance against a digitized present, in which Instagram filters mask loneliness and the infinite multiplication of images intensifies anxiety. I create scenes where the ephemeral coexists with suspended time; identities recreated through #selfies, posing to sustain desire and worshipping the simulacrum.
In “My Romantic Dream”, I delved into emotional bonds. Prop objects with a kitsch-cutesy aesthetic reproduce a made-up intimacy that exposes the fracture of reality: the moment just before the imminent breakdown, what pretends to be alive yet is made of plastic.
In “Metamorphosis”, I show the constant transformation of matter and energy, a process reflected both in biological mutation and in the algorithms that govern contemporary technologies.
I seek to translate the imperceptible by representing geometries, symbols, and patterns that construct us and connect us within a complex, interdependent network.
Throughout my series, tension shifts from the outside inward, oscillating between the superficial and the profound, where the need to return inward emerges as a response to external noise.
In the series “Millennials” and “Filtered Reality”, I investigated how we relate to one another through technology. The real appears as a form of resistance against a digitized present, in which Instagram filters mask loneliness and the infinite multiplication of images intensifies anxiety. I create scenes where the ephemeral coexists with suspended time; identities recreated through #selfies, posing to sustain desire and worshipping the simulacrum.
In “My Romantic Dream”, I delved into emotional bonds. Prop objects with a kitsch-cutesy aesthetic reproduce a made-up intimacy that exposes the fracture of reality: the moment just before the imminent breakdown, what pretends to be alive yet is made of plastic.
In “Metamorphosis”, I show the constant transformation of matter and energy, a process reflected both in biological mutation and in the algorithms that govern contemporary technologies.
I seek to translate the imperceptible by representing geometries, symbols, and patterns that construct us and connect us within a complex, interdependent network.
In my paintings, I explore the ways we connect with others and with ourselves, in virtual, physical, and spiritual reality. I paint in high resolution, evoking the glow, contrast, and saturation of screens.
Throughout my series, tension shifts from the outside inward, oscillating between the superficial and the profound, where the need to return inward emerges as a response to external noise.
In the series “Millennials” and “Filtered Reality”, I investigated how we relate to one another through technology. The real appears as a form of resistance against a digitized present, in which Instagram filters mask loneliness and the infinite multiplication of images intensifies anxiety. I create scenes where the ephemeral coexists with suspended time; identities recreated through #selfies, posing to sustain desire and worshipping the simulacrum.
In “My Romantic Dream”, I delved into emotional bonds. Prop objects with a kitsch-cutesy aesthetic reproduce a made-up intimacy that exposes the fracture of reality: the moment just before the imminent breakdown, what pretends to be alive yet is made of plastic.
In “Metamorphosis”, I show the constant transformation of matter and energy, a process reflected both in biological mutation and in the algorithms that govern contemporary technologies.
I seek to translate the imperceptible by representing geometries, symbols, and patterns that construct us and connect us within a complex, interdependent network.
Throughout my series, tension shifts from the outside inward, oscillating between the superficial and the profound, where the need to return inward emerges as a response to external noise.
In the series “Millennials” and “Filtered Reality”, I investigated how we relate to one another through technology. The real appears as a form of resistance against a digitized present, in which Instagram filters mask loneliness and the infinite multiplication of images intensifies anxiety. I create scenes where the ephemeral coexists with suspended time; identities recreated through #selfies, posing to sustain desire and worshipping the simulacrum.
In “My Romantic Dream”, I delved into emotional bonds. Prop objects with a kitsch-cutesy aesthetic reproduce a made-up intimacy that exposes the fracture of reality: the moment just before the imminent breakdown, what pretends to be alive yet is made of plastic.
In “Metamorphosis”, I show the constant transformation of matter and energy, a process reflected both in biological mutation and in the algorithms that govern contemporary technologies.
I seek to translate the imperceptible by representing geometries, symbols, and patterns that construct us and connect us within a complex, interdependent network.